The characters in Aeschylus’ Agamemnon create only fear and no pity in each other and in the audience

I agree with this statework forcet to a definite extent, however, I think it does non appoint the whole of the Agamemnon. I think that what invokes pity, atomic number 18 events, rather than characters, that have preceded the work. on that point be mixes of passive and attentionsome characters in the Agamemnon. Clytemnestra and Aegisthus be an example of fearsome characters, when she kills Agamemnon and Cassandra, and he threatens the refrain line line near the end of the do work. The chorus atomic number 18 relatively passive throughout the incline until aggressive actions towards Aegisthus at the end.The first root of fear that does appear in the play is with the prologue of the play with the watchman Whenever I dress myself shifting my bed about at night, wet with dew, unvisited by dreams because fear or else of sleep stands at my side to checkout my eyes shutting fast in slumber (l. 13) This is immediately demonstrative of the fear that his mistress, Clytemnest ra, instils in him. It affects the watchman so much(prenominal) so, that his fear stops his eyes closing fast.This is the first indicator in the play that Clytemnestra is stepping into her role as the Iron chick of Greece. We know that she has set up a type of communication which allows her to know whether or non the Hellenics have beat the Trojans, and whether or not their coming back. This gives her time to found her trap. I think for this reason, she probably underline the importance of the watchmans role, and the punishment that would be inflicted should he fail his task.The chorus also demonstrate fear There were times I thought Id faint with longing for the Greek armies to return I have long had secretiveness as my medicine against disablement l. 539. This is not implicit as to who will harm them if they ever break their silence, but they are obviously trying to hide something from the prefigure and the kings that have returned. The dramatic irony in this play also s hows how the audience and the chorus know something that the herald and the kings do not know.It seems like Clytemnestra has secured their silence, to make sure that the men returning home do not know about the doom that awaits their force Agamemnon. An abstract idea of fear that is presented by Aeschylus is through Clytemnestra, by demonstrating the potency of fear, and how it butt make people do things that they would not otherwise do. She makes Agamemnon step on the purpleness fabric through her.