Michelangelo s Work Of The Italian Renaissance - 1761 Words

Michelangelo Buonarotti Simone Michelangelo was born in Caprese, region of Florence – Italy on March 6, 1475, was born to a family that had for several generations belonged to minor nobility in Florence but had, by the time the artist was born, lost its patrimony and status. His father was an official with a well-off position in the city and his mother died when he was 6 years old. Son of the Florentine arts, this magnificent sculptor, painter and architect, of the Italian Renaissance manifested his artistic talent since very early on, being the art of the sculpture where he begins to emerge. Having to overcome the opposition of his family, at the age of 13 a family friend took him to the workshop of the painter Domenico Ghirlandaio,†¦show more content†¦Between 1490 and 1492, Michelangelo made his first drawings, studies on the Gothic frescoes of Massacio and Giotto and the first reliefs, the Virgin della Scala and the Battle of the Centaurs, in which there is already a clear definition of his style. In them it is shown as the clear heir of Florentine art of the fourteenth and fifteenth centuries, while establishing a more direct link with classical art. Nowadays this works are preserved in the Buonaroti house in Florence. After the death of Lorenzo de’ Medici in 1492, Michelangelo flees Florence, staying for a time in Bologna, where he sculpts various works influenced by the work of Jacobo della Quercia. In 1494, he carved three saints for the church of San Domenico, the statuettes of San Petronio (the patron saint of Bologna), a candlestick-holding ange l San Procolo (closely recalling the statue of David, made ten years later). They show dense forms, in contrast to the linear forms which were then dominant in sculpture. In 1496 Michelangelo decides to go to Rome, a city that saw him succeed, where he carved he’s first surviving large statue The Bacchus which preceded his masterpiece, the Pieta in which Mary supports the dead Christ across her knees. Larger than life size, the Pietà   contains elements which contrast and reinforce each other: vertical and horizontal, cloth and skin, alive and dead, female and male. This was a special work of art even in the Renaissance because at the time,Show MoreRelatedDefining The Terms Renaissance And Humanism854 Words   |  4 Pages1. Define the terms Renaissance and humanism. The New World Encyclopedia article â€Å"Renaissance† states the Renaissance featured scientific and artistic discoveries and transformations that propelled a cultural shift in Europe after the Middle Ages (2015). The New World Encyclopedia article â€Å"Humanism† indicates that Humanism primarily focuses on human being s place, potential, beauty, and so forth (2014). 2. Who were the Medici’s? The Medici family, comprised of former bankers and commerce men, becameRead MoreArt Of The Renaissance : Questions And Vocabulary1283 Words   |  6 PagesAssignment 12.5 (Art in the Renaissance) Assignment- Questions and Vocabulary Terms: Giotto, Masaccio, Botticelli, Perspective, Guild, Artisan, Apprentice, Patron, High Renaissance, Pope Julius II, Michelangelo, Northern Renaissance, madrigal. 1) Giotti di Bondone (1266-1337) was an Italian artist and architect from Florence in the very late Middle Ages. 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While not the only wealthyRead MoreRenaissance Art : A New System Of Astronomy, Exploration Of The Natural World1217 Words   |  5 PagesRenaissance Art is a large portion of the art we look at and get inspired by today, but where and who did it come from? Many things were developed such as the printing press, a new system of astronomy, exploration of continents. Also accompanied by the advancements in philosophy, literature, and especially art. Painting, sculptures, and decorative arts identified with the Renaissance emerged from Italy in the 14th century. Renaissance art is an expression of Greco-Roman traditions, is captured theRead MoreArt Object s Historical Data Of Its Culture And Time Period2146 Words   |  9 PagesCrucifixion of St. Peter by Michelangelo Buonarroti Part VI - The Art Object’s Historical Data of its Culture and Time Period I. 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