Sunday, May 12, 2019
Piet Mondrians Work and His Insistence on Primary Colors Essay
Piet Mondrians Work and His press on Primary Colors - Essay ExampleWhile Composition clearly exhibits a difficult amount of originality, (Form and Organization) Mondrian is guided by a set of principles that he and fellow De Stijl founders outlined. One can analyse how all these tenants are lucid in Composition. All colours are, primary colours as this gives the record show a more stripped-down and refined feel (Art Book, p. 120). The rectangular planes and prisms are evident in the picture as seems to avoid characteristic types of symmetry, instead opting for abstract positioning of figures that still retain a usable appeal to the human senses. The aesthetic balance in the picture is achieved through opposition nowhere do we see two of the same colours connected.(Artist Intent) While Mondrian has been derided as an intellectual artist, too concerned with formalist principals, his factual intentions were much more organic. In Neo-Plasticism in Pictorial Art Mondrian wrote, . .. this new plastic idea pass on ignore the particulars of appearance, that is to say, natural form and colour. On the contrary, it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour (De Stijl).(Expert) Since Mondrians style is non-representational and linked to a spiritual element in his life, it seems the theoretical underpinnings of neo-plasticism and Mondrians own theosophical beliefs are evident in Composition (Deicher, p. ix).(Personal Reaction) Upon viewing Mondrians earlier experimental work where colours do, in fact, cornerstone next to each other, its clear why he later chose to disregard such placements, as they take away from the beauty of the work. The viewer is immediately struck by the sparseness of designs and the purity of forms. Its easy to imagine how Mondrians pure geometric shapes share much with the idealized Platonic forms, where the pure essential nature of the object exists in direct relation to the soul and the universe.
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